In the painter's studio, all covered in wood panelling, time seems suspended. Through the big bay window overlooking green altitude meadows, the Northern light pours her powdery rays all over brushes, palettes, tubes, paint pots, sketched canvasses and rags still wet with linseed oil. The air is fragrant with the heady smell of turpentine mixed with lovely wisps of smoke,...
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In the painter's studio, all covered in wood panelling, time seems suspended. Through the big bay window overlooking green altitude meadows, the Northern light pours her powdery rays all over brushes, palettes, tubes, paint pots, sketched canvasses and rags still wet with linseed oil. The air is fragrant with the heady smell of turpentine mixed with lovely wisps of smoke, honey, woods, tobacco and cedar wood. Contains essences of Spanish Turpentine, Texan Cedar and Indonesian Patchouli. Perfume designed with Alexandra Monet.
The wax formulation, plant-based with a touch of beeswax, is unique. Free from paraffin or petrochemical derivatives, and therefore free from soot, its exceptionally supple and tender texture is a guarantee of its purity. The wax, worked for a long time, is perfectly miscible with the perfume, releasing the scent both hot and cold. The wick, woven in pure cotton, ensures combustion without traces, lasting and perfect for 60 to 70 hours, depending on the scent. Handcrafted blown glass tumblers from Tuscany have a transparent, slightly grey color, and light bubbles, giving them a unique, timeless appearance. Labels and packaging are lead-printed on old presses by SAIG, one of the last typographic workshops in the world.
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